A Brief Review of Punctuation: The Colon

Hello all!

I’m back again with more tips for your punctuation pleasure! Today is all about the colon, one of the most misunderstood punctuation marks out there. Somewhere along the way, we all (and I include myself in this group!) seem to get the idea that the colon is designed to introduce any list we include in a sentence. We think, for example, that it’s perfect for use in a situation like this: I went to the store and bought: apples, bananas, and oranges. Well, brace yourself, because that is actually a completely incorrect use of the colon!

So what’s the secret to a correct use of the colon? It’s actually quite simple: It must follow an independent clause (which, as you may recall from last week, is a phrase that could be a complete sentence in and of itself). So, while it’s incorrect to say I went to the store and bought: apples, bananas, and oranges (because “I went to the store and bought” isn’t really a complete sentence), it’s absolutely correct to say I went to the store and bought several kinds of fruit: apples, bananas, and oranges (because “I went to the store and bought several kinds of fruit” can stand on its own). Thus, the idea of a colon as something meant to introduce a list is not an entirely incorrect one; it’s simply that that colon and list must be preceded by an independent clause.

Now, there’s one more nuance to cover when it comes to colons: the capitalization of the first word following the colon. There’s some debate about this, but I subscribe to the camp that uses a lowercase letter if what follows the colon is not an independent clause and a capital letter if what follows the colon is an independent clause. Thus (as you can see above), Now, there’s one more nuance to cover when it comes to colons: the capitalization of the first word following the colon, but It’s actually quite simple: It must follow an independent clause. An easy way to remember that rule is that the first word of any sentence gets capitalized, so if what follows the colon could be a sentence, its first word needs to be capitalized.

I hope you’re now ready to use colons in a whole new–and more correct–way in your writing! As with semicolons, they’re an incredibly useful tool with a very specific purpose, and using them in your writing will add the clarity and elegance readers so appreciate. Next time, I’ll be talking about the wonders of quotation marks.

Until then!

A Brief Review of Punctuation: The Semicolon

Hello everyone!

I thought I’d take a few posts to review some of the trickier aspects of punctuation (or at least, those aspects that seem to trip up writers most often), and I’m going to start with my favorite of punctuation marks: the semicolon. I learned proper use of the semicolon from my English teacher my senior year of high school, and I’ve loved it ever since. I tend to think of the semicolon as the best-kept secret in punctuation: Most people are uncertain about its purpose or how to use it properly, but it’s blessed with a specific utility that allows it to meet particular punctuation needs that no other mark can fulfill–and it does so with great elegance. So, without further ado…

The semicolon has two primary uses, the first of which is to replace the comma/conjunction combo when joining two independent clauses. In case it’s been a while since your last grammar class, I’ll remind you that an independent clause is simply a stand-alone, complete sentence. An example of an independent clause is John went to the store (see how it forms a complete sentence on its own, with noun and verb?). If you wanted to join that independent clause with another independent clause, like Mary stayed home, you would probably use the comma/conjunction combo. The list of conjunctions includes and, but, for, or, nor, yet, and so. We could use any of these conjunctions with a comma to join our two independent clauses to form a single sentence: John went to the store, and Mary stayed home. John went to the store, but Mary stayed home. John went to the store, so Mary stayed home. And so on.

So, if we have the comma/conjunction solution, why do we need the semicolon? Well, the semicolon comes in handy when the two independent clauses express closely related ideas–so closely related that they’re almost two halves of the same thought. In such a case, using a comma/conjunction combo doesn’t quite express the closeness of the relationship between the two clauses; you need a semicolon for that. (See what I did there?) Here’s another example: John went to the store; he couldn’t bear to stay home with Mary. Do you see how the semicolon expresses the closeness of those ideas, with just a single mark? That is the beauty of the first use of the semicolon. (Remember, though, that the semicolon only works in this usage when the two clauses are independent and could each stand as their own complete sentence!)

The second primary use of the semicolon is as a “super-comma.” Sometimes, sentences wind up having a lot of commas, and that leaves anyone reading the sentence prone to getting lost in all the punctuation. Here is an example: John went to the store and bought meat, including chicken, turkey, and beef, dairy, including milk, cheese, and yogurt, vegetables, including lettuce, green beans, and zucchini, and fruit, including apples, oranges, and bananas. Whew! That’s a lot of commas, and a reader might easily get lost in that sentence and start wondering if the author thinks that dairy is a type of meat. In a case like this, a semicolon can provide a lot of clarity, replacing a few of the commas to separate the bigger ideas and leaving the other commas to separate the smaller ideas. So: John went to the store and bought meat, including chicken, turkey, and beef; dairy, including milk, cheese, and yogurt; vegetables, including lettuce, green beans, and zucchini; and fruit, including apples, oranges, and bananas. Do you see how the semicolons are functioning as “super-commas” to separate the ideas of meat, dairy, vegetables, and fruit from one another? They provide some much-needed clarity without requiring the sentence to be rewritten.

I hope that this brief review has shown you the beauty of the semicolon and that you’re ready to tackle your next piece of writing with its power in your arsenal. Please don’t hesitate to leave me questions in the comments if I’ve left you wondering about anything or if you’d like some additional examples. Otherwise, I’ll see you next time for more fun with punctuation!

Finding Your Workspace

Hello all!

Today I want to address one of the more difficult aspects of writing and other such creative endeavors (well, really, this could apply to any endeavor): getting in “the zone.” Have you ever had that experience, where all the stars seem to align, and the hours fly past, and you crank out more exceptional creative output than you would have believed possible? That’s when you’re in “the zone.” But by contrast, have you ever had the opposite experience, where you just can’t get comfortable in your chair, and time drags, and you can’t seem to get anything done…or even really feel motivated to? Those days can be so frustrating.

So how can you help yourself be in the zone more of the time? Well, there are many factors at play when it comes to getting in the zone, but one I’ve discovered has a huge impact almost all of the time is being in the right workspace. For example, I’m most productive and focused when I’m in my home office with the windows open and the quiet sounds of the neighborhood providing the faintest of white noise. My husband, on the other hand, cannot focus nearly as well or accomplish nearly as much when he’s at home; he gets most in the zone when he’s at Starbucks, with a cacophony of activity around him. My college roommate’s workspace was in our dorm room, in the middle of the night, with only hours until the project was due. One of my former bosses couldn’t get anything done unless she had an object in her hands to manipulate.

What’s my point here? My point is that your best workspace might be vastly different than that of anybody else. My point is also that your workspace is about more than physical location. It’s about what you can touch, hear, feel, taste, and smell. It’s about the time of day. It’s about how close or far you are from a deadline. It’s about any detail of your situation that will help you get in the zone.

If you haven’t found your perfect workspace yet, I encourage you to take some time to experiment. Try out different locations, at different times, with different stimuli. Be open to new and unexpected discoveries about yourself and what helps you be productive. Because once you’ve found your workspace, you’ve got the key to your zone…and a whole new world of creative possibilities.

Have fun exploring, and I’ll see you next time!

The Value of Professional Organizations

Hello everyone!

I’ve alluded to it before, but I want to take a moment today to really emphasize the value of professional organizations for writers. Writing–particularly for self-publishing authors–can be a highly independent, and even isolating, field. Professional organizations offer a way for writers to do two things that can be difficult in their particular type of private profession: (1) network with other people in the same field and (2) access relevant and beneficial resources. Let me explain a bit further.

First, professional organizations for writers give you a way to network with other people in your same field and with your same goals and interests. So often, writing (like editing) involves spending a lot of time alone, with no company other than your computer and the words on the screen. There aren’t a lot of opportunities to interact with other people, which means there aren’t a lot of opportunities to develop relationships with other like-minded professionals. Those like-minded professionals are a great resource when you’re looking for critiques of your writing, somebody to bounce ideas around with, or even just a sympathetic ear when you hit those inevitable moments of writer’s block. The Romance Writers of America (https://www.rwa.org/) is a great example of a professional organization that offers many networking opportunities for its members, such as regional meetings, an annual national conference, and even online forums to engage in ongoing, topical conversation with others.

Second, professional organizations give you resources you wouldn’t have as a completely independent author. Organizations help keep you abreast of the latest industry trends and standards. Many of them include in the membership fee a subscription to serial publications with informative articles and advertisements for other professionals (like editors, publishers, and cover design artists) who can help you publish your work. The Independent Book Publishers Association (http://www.ibpa-online.org/), for example, provides many tools to help you be successful as a writer, including advertising and marketing assistance, online seminars and classes to improve your writing and your self-publication skills, and a monthly newsletter in both print and digital forms.

In short, professional organizations offer you as an author–and potentially an isolated one at that–a world of resources and connectedness that can make all the difference in your success. I hope you will take a few minutes to do a quick online search to see what professional organizations are out there to meet your specific interests and needs. I’ll be happy to hear about what you find!

Until next time!