About Sarah Dawson

For nearly a decade, I have worked with both corporate and independent authors to perfect their writing prior to its publication. As a freelancer, the services I offer include proofreading, copyediting (light, medium, and heavy), substantive editing, rewriting, and writing. Whatever the type of service I provide, I consider myself a liaison between author and reader; my job is to convey the author’s message to the reader in the clearest, most pleasing way possible. Among my particular areas of expertise are educational materials and child and young adult literature. My background as an educator and a school librarian gives me unique insight into how to make such writing exceptional. I have also worked extensively with corporate writers, working on text for use in marketing, employee education, and websites. I welcome all inquiries. Let me know how I can help perfect your writing!

Two Simple Way to Improve Your Life!

Hello everyone!

Did the title of today’s post grab your attention? I hope so, because I’m really excited about two incredible opportunities being offered to you by two of the wonderful authors with whom I work.

First, to improve your life as an author…

The fabulous Kitty Bucholtz (author of Little Miss Lovesick and Unexpected Superhero) is teaching an online, ongoing class about self-publishing books. More than just a few words of advice, this in-depth course will take you through absolutely everything you need to know to successfully self-publish–all presented with Kitty’s delightful sense of humor. As an author who has self-published many times over, she has so much knowledge to share with her students. And the best part is that for the next 10 days, she’s opened registration for her course at a hugely discounted rate! Be sure to sign up by October 12 to take advantage of this amazing opportunity.

And now that your needs as an author are met, why not take the time to improve your life in general?

Dr. Roddy Carter, a world-renowned physician and scientist, is taking health and happiness to a whole new level with BodyWHealth. So much more than a diet or exercise program, BodyWHealth is a lifelong journey that will bring you physical, mental, and emotional health and prosperity. Roddy has already introduced this journey to his many followers through his blog, and I’m currently working with him on a book that will hopefully spread the message about this revolutionary, rewarding lifestyle to many more people. What I’ve learned from Roddy has already changed my outlook on life and made me a happier, healthier person. I hope you will take a few moments to look at his site; I’m sure that if you do, you will be as excited as I am about embarking on the BodyWHealth journey. And I’ll be sure to let you know when his book is being released!

That’s it for now. I do hope that you’ll take the time to check out the amazing benefits Kitty and Roddy have to offer you. If you have any questions, be sure to leave them for me in the comments. Otherwise, see you next time!

A Brief Review of Punctuation: Dashes

Hello everyone!

Today I want to tackle one of the most useful but perhaps most confusing elements of punctuation: the dash family.

The first thing to understand is that there are actually three members of what I’m calling the “dash family”: the hyphen, the en dash, and the em dash. Each of these family members has a different length and a different purpose. I also want to make sure that you note that different style guides and different types of publications sometimes have different rules for these family members. The rules I’m explaining here apply to the Chicago Manual of Style and most books; if you’re using a different style guide or are working on an article, please be sure to check your style guide before following the guidelines I’m presenting here!

Most people are pretty familiar with the hyphen and the em dash, even if they aren’t familiar with those technical names for them. The hyphen is the shortest of the dashes, and it’s used to form compound words, like “gluten-free” or “non-GMO.” The em dash is the longest of the dashes (about the length of two hyphens), and it’s primarily used to set words or phrases apart in a sentence–kind of like this. An em dash can be used in the middle or at the beginning of a sentence–on its own or in pairs–and there are no spaces between an em dash and its surrounding words.

Where things get tricky is with the en dash. Somewhere between a hyphen and an em dash in length, the en dash has three uses. The first is as a sort of super-hyphen in compound words where part of the compound is itself two or more words, like “post–World War II Europe” or “San Diego–based company.” The second use of an en dash is to replace the word “through” when presenting a range of numbers; for example, “World War II lasted from 1939–1945.” The final use of an en dash is to present scores or totals, such as “the Patriots defeated the Seahawks 28–24 in the 2015 Super Bowl.” As with em dashes (and hyphens, for that matter), there is no space between an en dash and the words or numbers on either side of it.

I hope this review has given you renewed confidence when you use any member of the dash family. Hyphens, en dashes, and em dashes are all incredibly useful punctuation tools–and knowing the differences between them and using them properly in your writing can really make your prose stand out from the crowd!

Questions? Comments? Concerns? Other punctuation marks you’d like me to review? Please let me know! Otherwise, I’ll see you all next time!

A Prepositional Interruption

Hello all!

I’ll be returning to the punctuation review next time (dashes are up next!), but I wanted to interrupt myself today to share this highly helpful chart I found, which presents some of the most common word/preposition pairings. It’s surprisingly difficult sometimes to determine which preposition is supposed to go with the word you’re using, so I’m hoping that this will be a handy resource to get you through the matching process and back into the meat of your writing.

Here it is:

prepositions

And that’s it for today! See you next time for a brief review of dashes and how to use them!

A Brief Review of Punctuation: The Quotation Mark

Hello everyone!

I’m back with another little punctuation lesson. Today’s victim? The quotation mark.

Now, the tricky part about quotation marks isn’t how or when to use them; it’s whether other punctuation marks go inside or outside closing quotation marks. Part of the vast confusion about the rules governing punctuation mark order stems from the fact that British English and American English differ when it comes to this issue. For simplicity’s sake, the rules I outline here will be for American English. The other part of the vast confusion stems from the fact that different rules apply to different punctuation marks when they’re used in conjunction with quotation marks. But not to worry! I’m going to lay it all out for you now…

So, you’ve got your quotation, and you’re all set with your opening quotation mark and all the punctuation that comes within the quotation. But now you’re at the end of the quotation, and you have no idea whether that comma, period, exclamation point, question mark, colon, or semicolon should go before or after your closing quotation mark!

Commas and periods are easy: They always go before the closing quotation mark. Always. No exceptions. It is always “Let’s go to the store,” she said and never “Let’s go to the store”, she said.

Colons and semicolons are also easy: They always go after the closing quotation mark. Always. No exceptions. It is always She said, “Let’s go to the store”; then she went and never She said, “Let’s go to the store;” then she went.

Question marks and exclamation points are slightly more difficult because they vary depending on context. If they are part of the quotation, they go before the closing quotation mark, and if they are not part of the quotation, they go after the closing quotation mark. So, She asked, “Do you want to go to the store?” but Did she say, “Let’s go to the store”?

And that’s all there is too it! Getting the order right is really just about remembering which rule applies to which punctuation marks…and hopefully this will serve as a handy guide to help you remember! Next time, I’ll be discussing dashes. But until then, go forth and quote away!

A Brief Review of Punctuation: The Colon

Hello all!

I’m back again with more tips for your punctuation pleasure! Today is all about the colon, one of the most misunderstood punctuation marks out there. Somewhere along the way, we all (and I include myself in this group!) seem to get the idea that the colon is designed to introduce any list we include in a sentence. We think, for example, that it’s perfect for use in a situation like this: I went to the store and bought: apples, bananas, and oranges. Well, brace yourself, because that is actually a completely incorrect use of the colon!

So what’s the secret to a correct use of the colon? It’s actually quite simple: It must follow an independent clause (which, as you may recall from last week, is a phrase that could be a complete sentence in and of itself). So, while it’s incorrect to say I went to the store and bought: apples, bananas, and oranges (because “I went to the store and bought” isn’t really a complete sentence), it’s absolutely correct to say I went to the store and bought several kinds of fruit: apples, bananas, and oranges (because “I went to the store and bought several kinds of fruit” can stand on its own). Thus, the idea of a colon as something meant to introduce a list is not an entirely incorrect one; it’s simply that that colon and list must be preceded by an independent clause.

Now, there’s one more nuance to cover when it comes to colons: the capitalization of the first word following the colon. There’s some debate about this, but I subscribe to the camp that uses a lowercase letter if what follows the colon is not an independent clause and a capital letter if what follows the colon is an independent clause. Thus (as you can see above), Now, there’s one more nuance to cover when it comes to colons: the capitalization of the first word following the colon, but It’s actually quite simple: It must follow an independent clause. An easy way to remember that rule is that the first word of any sentence gets capitalized, so if what follows the colon could be a sentence, its first word needs to be capitalized.

I hope you’re now ready to use colons in a whole new–and more correct–way in your writing! As with semicolons, they’re an incredibly useful tool with a very specific purpose, and using them in your writing will add the clarity and elegance readers so appreciate. Next time, I’ll be talking about the wonders of quotation marks.

Until then!

A Brief Review of Punctuation: The Semicolon

Hello everyone!

I thought I’d take a few posts to review some of the trickier aspects of punctuation (or at least, those aspects that seem to trip up writers most often), and I’m going to start with my favorite of punctuation marks: the semicolon. I learned proper use of the semicolon from my English teacher my senior year of high school, and I’ve loved it ever since. I tend to think of the semicolon as the best-kept secret in punctuation: Most people are uncertain about its purpose or how to use it properly, but it’s blessed with a specific utility that allows it to meet particular punctuation needs that no other mark can fulfill–and it does so with great elegance. So, without further ado…

The semicolon has two primary uses, the first of which is to replace the comma/conjunction combo when joining two independent clauses. In case it’s been a while since your last grammar class, I’ll remind you that an independent clause is simply a stand-alone, complete sentence. An example of an independent clause is John went to the store (see how it forms a complete sentence on its own, with noun and verb?). If you wanted to join that independent clause with another independent clause, like Mary stayed home, you would probably use the comma/conjunction combo. The list of conjunctions includes and, but, for, or, nor, yet, and so. We could use any of these conjunctions with a comma to join our two independent clauses to form a single sentence: John went to the store, and Mary stayed home. John went to the store, but Mary stayed home. John went to the store, so Mary stayed home. And so on.

So, if we have the comma/conjunction solution, why do we need the semicolon? Well, the semicolon comes in handy when the two independent clauses express closely related ideas–so closely related that they’re almost two halves of the same thought. In such a case, using a comma/conjunction combo doesn’t quite express the closeness of the relationship between the two clauses; you need a semicolon for that. (See what I did there?) Here’s another example: John went to the store; he couldn’t bear to stay home with Mary. Do you see how the semicolon expresses the closeness of those ideas, with just a single mark? That is the beauty of the first use of the semicolon. (Remember, though, that the semicolon only works in this usage when the two clauses are independent and could each stand as their own complete sentence!)

The second primary use of the semicolon is as a “super-comma.” Sometimes, sentences wind up having a lot of commas, and that leaves anyone reading the sentence prone to getting lost in all the punctuation. Here is an example: John went to the store and bought meat, including chicken, turkey, and beef, dairy, including milk, cheese, and yogurt, vegetables, including lettuce, green beans, and zucchini, and fruit, including apples, oranges, and bananas. Whew! That’s a lot of commas, and a reader might easily get lost in that sentence and start wondering if the author thinks that dairy is a type of meat. In a case like this, a semicolon can provide a lot of clarity, replacing a few of the commas to separate the bigger ideas and leaving the other commas to separate the smaller ideas. So: John went to the store and bought meat, including chicken, turkey, and beef; dairy, including milk, cheese, and yogurt; vegetables, including lettuce, green beans, and zucchini; and fruit, including apples, oranges, and bananas. Do you see how the semicolons are functioning as “super-commas” to separate the ideas of meat, dairy, vegetables, and fruit from one another? They provide some much-needed clarity without requiring the sentence to be rewritten.

I hope that this brief review has shown you the beauty of the semicolon and that you’re ready to tackle your next piece of writing with its power in your arsenal. Please don’t hesitate to leave me questions in the comments if I’ve left you wondering about anything or if you’d like some additional examples. Otherwise, I’ll see you next time for more fun with punctuation!

Finding Your Workspace

Hello all!

Today I want to address one of the more difficult aspects of writing and other such creative endeavors (well, really, this could apply to any endeavor): getting in “the zone.” Have you ever had that experience, where all the stars seem to align, and the hours fly past, and you crank out more exceptional creative output than you would have believed possible? That’s when you’re in “the zone.” But by contrast, have you ever had the opposite experience, where you just can’t get comfortable in your chair, and time drags, and you can’t seem to get anything done…or even really feel motivated to? Those days can be so frustrating.

So how can you help yourself be in the zone more of the time? Well, there are many factors at play when it comes to getting in the zone, but one I’ve discovered has a huge impact almost all of the time is being in the right workspace. For example, I’m most productive and focused when I’m in my home office with the windows open and the quiet sounds of the neighborhood providing the faintest of white noise. My husband, on the other hand, cannot focus nearly as well or accomplish nearly as much when he’s at home; he gets most in the zone when he’s at Starbucks, with a cacophony of activity around him. My college roommate’s workspace was in our dorm room, in the middle of the night, with only hours until the project was due. One of my former bosses couldn’t get anything done unless she had an object in her hands to manipulate.

What’s my point here? My point is that your best workspace might be vastly different than that of anybody else. My point is also that your workspace is about more than physical location. It’s about what you can touch, hear, feel, taste, and smell. It’s about the time of day. It’s about how close or far you are from a deadline. It’s about any detail of your situation that will help you get in the zone.

If you haven’t found your perfect workspace yet, I encourage you to take some time to experiment. Try out different locations, at different times, with different stimuli. Be open to new and unexpected discoveries about yourself and what helps you be productive. Because once you’ve found your workspace, you’ve got the key to your zone…and a whole new world of creative possibilities.

Have fun exploring, and I’ll see you next time!

The Value of Professional Organizations

Hello everyone!

I’ve alluded to it before, but I want to take a moment today to really emphasize the value of professional organizations for writers. Writing–particularly for self-publishing authors–can be a highly independent, and even isolating, field. Professional organizations offer a way for writers to do two things that can be difficult in their particular type of private profession: (1) network with other people in the same field and (2) access relevant and beneficial resources. Let me explain a bit further.

First, professional organizations for writers give you a way to network with other people in your same field and with your same goals and interests. So often, writing (like editing) involves spending a lot of time alone, with no company other than your computer and the words on the screen. There aren’t a lot of opportunities to interact with other people, which means there aren’t a lot of opportunities to develop relationships with other like-minded professionals. Those like-minded professionals are a great resource when you’re looking for critiques of your writing, somebody to bounce ideas around with, or even just a sympathetic ear when you hit those inevitable moments of writer’s block. The Romance Writers of America (https://www.rwa.org/) is a great example of a professional organization that offers many networking opportunities for its members, such as regional meetings, an annual national conference, and even online forums to engage in ongoing, topical conversation with others.

Second, professional organizations give you resources you wouldn’t have as a completely independent author. Organizations help keep you abreast of the latest industry trends and standards. Many of them include in the membership fee a subscription to serial publications with informative articles and advertisements for other professionals (like editors, publishers, and cover design artists) who can help you publish your work. The Independent Book Publishers Association (http://www.ibpa-online.org/), for example, provides many tools to help you be successful as a writer, including advertising and marketing assistance, online seminars and classes to improve your writing and your self-publication skills, and a monthly newsletter in both print and digital forms.

In short, professional organizations offer you as an author–and potentially an isolated one at that–a world of resources and connectedness that can make all the difference in your success. I hope you will take a few minutes to do a quick online search to see what professional organizations are out there to meet your specific interests and needs. I’ll be happy to hear about what you find!

Until next time!

FAQ 6: Why Do I Need an Editor?

Hello everybody!

Today I’m answering the last question in my FAQs series: Why do I need an editor? It’s rare that I actually get this question phrased this way, but the underlying inquiry remains. I’ve found that there are really two levels to this question. The first level is something along the lines of, “Why does anybody other than me need to read my manuscript before I publish it?” The second level is something to the effect of, “Why do I need to hire a professional editor? My friends have read my manuscript and think it’s fine; isn’t that enough?”

So, for the first level… The short answer is that it is always a good idea to have somebody else read your work–and this is as true for me and other editors as it is for authors. (As an example, I have my darling husband read all of my blogs to make sure I didn’t miss anything.) It’s very challenging for anybody to make an unbiased evaluation of their own writing. As writers, we know what we’re trying to say and what words we intended to use. We might be able to catch some misspellings and incorrect commas–though it’s very challenging for a single person to catch all errors in a manuscript; it’s definitely a case of the more eyes and the more reviews, the better–but it’s highly unlikely that we’ll realize it if our meaning doesn’t come across clearly or if what we’ve written could be interpreted another way. Maybe we’ve alluded to something that isn’t actually common knowledge, but we think it is. Maybe we’ve skipped a step in our logic or in the plot, forgetting that our readers aren’t inside our head and might not be able to fill in that missing piece. Or maybe we’ve said something in a way that could come across as offensive, but we have no idea because we did not mean it that way when we wrote it. These are all distinct possibilities we face as writers that make it vital for us to have somebody else read our work before we publish it for the world.

The question then becomes why anybody needs to hire a professional editor as opposed to just giving a manuscript to friends or family to review. The most honest answer I can give is that any eyes are better than none. If it’s a case where it’s got to be an author’s friend or family member reading a manuscript or nobody at all, it is the vastly better option to have that friend or family member read the manuscript. There are distinct advantages to hiring a professional, however, the first being that–as with most things in life–it’s just a better idea to have somebody trained in a specific job or skill performing that function than somebody who is not trained. For example, I think we’d all prefer to have a trained stylist or barber cut our hair rather than somebody who has never given anybody a haircut. We don’t particularly want to take our clothes to a tailor who’s never threaded a needle. And we probably wouldn’t have somebody clean our homes who had never touched a sponge. In the same way, it’s preferable to have your manuscript cut, tailored, and cleaned up by somebody who knows even the most minute rules of language (or knows when to look them up), who has worked with many manuscripts in the same genre before and thus knows what distinguishes a good story from a great one, and who has specifically committed him- or herself to taking the time and putting in the effort to make your manuscript exceptional. Professional editors take great pride in their work; editing is not a field that people enter for the money, but rather one that people enter because they have a passion for and extensive knowledge of language. When you hire a professional editor, both you and your manuscript benefit from that passion, that knowledge, and that commitment to excellence. And that is why all authors need an editor.

And that also concludes the FAQ blog series! Please let me know if you’ve got any other questions you’d like to see me answer by posting in the comments or sending me a message. Otherwise, enjoy the rest of July, and I’ll see you next time!

FAQ 5: What Types of Materials Do You Edit?

Hello everyone!

Today I’m answering another question I’m often asked: What types of materials do I edit? The short answer for this one is that I edit any type of material a client would like me to edit. I have been fortunate to encounter a wide range of materials in my editing work, which means that in addition to having experience with editing all those material types, I’m also excited about and fairly adept at tackling new-to-me material types as well.

I find that most of my projects end up being either academic writing (dissertations, theses, and the like) or self-published memoirs, but I’ve also worked on everything from marketing and HR materials for companies, to law textbooks, to fictional manuscripts of various lengths, to online course material. You might now be wondering which of those things is my favorite to edit, but in all honesty, I don’t have a favorite. I enjoy the challenge that comes with variety and the need to swiftly switch gears from nonfiction to fiction and back again. As a former teacher and teacher librarian, I have a great love of learning, and there’s no better way to remain a lifelong learner than to constantly teach myself new things…and editing a new material type definitely falls into that category!

Next time, I’ll be answering the last question in this FAQ series: Why do I need an editor? I hope you’re looking forward to reading the answer as much as I am to writing it! Until then!